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My reading is that when it’s harder to write a certain genre (either due to internal barriers like conventions or external barriers like prejudice) the writers who make it through are, by definition, the most tenacious and dedicated. Likewise, Family films written by men received higher ratings than those by women. Women were best represented within Faith (47.2% female), Family scripts (41.5% female) and Animated (39.1%).Īn interesting finding in last week’s research was that when we look at the scores given by readers, there seems to be an advantage to writing in a genre dominated by another gender.įor example, Action is male-dominated but is also a genre in which female writers outperform their male counterparts by the second-largest margin.
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The most male-dominated genres are Action (in which 8.4% of writers were women), Sci-Fi (14.1%) and Horror (14.5%). However, it is interesting to note how the gender split changes between different genres of scripts in the dataset. I have written at length in the past about gender inequality in the film industry, and so I won’t discuss the topic in detail here. Gender-skewed genres (and who writes female characters) Only sixteen scripts used ‘c**t’ without also using either ‘s**t’ or ‘f**k’ at least once.ģ. The genres featuring the lowest levels of swearing are Family (1.2), Animated (1.3) and Faith-based scripts (2.8).
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I developed a swearing score, based on the frequency of the three swear words I tracked, awarding a ‘1’ for each use of ‘s**t’, ‘1.17’ for ‘f**k’ and ‘8.51’ for ‘c**t’.Ĭomedies are the sweariest, beating Action and Horror scripts by a tiny margin (Comedy scores 42.8, Action scores 42.5 and Horror scores 41.8). Unsurprisingly, the swear words were not spread equally across all scripts. Across all our scripts, ‘s**t’ is used an average of 13.2 times, ‘f**k’ 23.9 times and ‘c**t’ 2.1 times. If this is not your thing, then skip to the next sub-section.Īlmost four out of five scripts contained the word ‘s**t’, with two-thirds featuring ‘f**k’ and just under one in ten using the word ‘c**t’.Īlthough more scripts feature one ‘s**t’ than one ‘f**k’, when a ‘f**k’ does appear it tends to be used more frequently than ‘s**t’. Warning: The charts contain uncensored uses of bad words. Horror scripts are the shortest, with an average page count of 98.6 while the longest were Faith scripts at 110.0 pages. As the chart below shows, there are spikes on round numbers namely pages 90, 100, 110 and 120. However, there was a broad spectrum of lengths, with 68.5% of screenplays running between 90 and 120 pages long. The median length across all of our scripts was 106 pages.
#HORROR MOVIE SCRIPTS PDF PROFESSIONAL#
The vast majority of these scripts will not have been produced into movies yet and a large number of the screenwriters will still be at entry level, rather than professional writers. Hopefully, this research will prove useful to writers, producers and directors looking to understand what a typical screenplay looks like and a benchmark against which they can assess their own work.Īll of these scripts were reviewed by professional script readers, either as a part of a screenplay competition or to create a script report. This allowed me to look at what the average screenplay contains. Last week, I published my analysis of 12,309 feature film screenplays and the scores they each received from professional script readers.Ī byproduct of that research was that I had a large number of data points on a whole bunch of screenplays.